Hugh Dougherty
The performance space at Aberdeen’s Lemon Tree arts venue is lit up and some 15 figures look as if they’re rehearsing moves for a play’s fight sequence. Some are putting their palms up in front of their faces to ward off attack. Others are pulling aggressors away from colleagues and there’s action aplenty.
But this is not a part of the centre’s theatre programme. The clue is in the fit figure, fitting between the bodies, offering encouragement here, showing where the hands should be there.